Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/941
Full metadata record
DC FieldValueLanguage
dc.contributor.authorLeahy, WJ-
dc.coverage.spatial12en
dc.date.accessioned2007-07-04T09:14:58Z-
dc.date.available2007-07-04T09:14:58Z-
dc.date.issued2003-
dc.identifier.citationEnterText: Renaissance Renegotiations (3.1 April 2003) pp. 132-144en
dc.identifier.urihttp://people.brunel.ac.uk/~acsrrrm/entertext/issue_3_1.htmen
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/941-
dc.description.abstractIn this paper, Leahy argues that Shakespeare’s portrayal of Anne Boleyn in King Henry VIII has traditionally been regarded as one that does not take account of her ambiguous historical position, and he goes on to examine this portrayal in the light of her own coronation procession, as well as her representation in the coronation procession of her daughter, Elizabeth. These representations of Boleyn are then set against the famous letter written by Sir Henry Wotton to describe the burning down of the Globe Theatre during a production of King Henry VIII in 1613. Set within such a context, Leahy argues that the representation of Anne in the play is not what it has traditionally been made out to be, but demonstrates the difficulties inherent in staging such a problematic figure.en
dc.format.extent69632 bytes-
dc.format.mimetypeapplication/msword-
dc.language.isoen-
dc.publisherEnterTexten
dc.relation.ispartof3.1;-
dc.relation.ispartofseriesEnterText;3.1-
dc.relation.requiresHenry VIIIen
dc.subjectShakespeareen
dc.subjectHenry VIIIen
dc.subjectAnne Boleynen
dc.subjectElizabeth Ien
dc.subjectProcessionsen
dc.subjectRoyal entryen
dc.title‘You cannot show me’: Two Tudor Coronation Processions, Shakespeare’s King Henry VIII and the Staging of Anne Boleynen
dc.typeResearch Paperen
Appears in Collections:English and Creative Writing
Dept of Arts and Humanities Research Papers

Files in This Item:
File Description SizeFormat 
HENRY8.pdf50.81 kBAdobe PDFView/Open


Items in BURA are protected by copyright, with all rights reserved, unless otherwise indicated.