Please use this identifier to cite or link to this item:
http://bura.brunel.ac.uk/handle/2438/11808
Full metadata record
DC Field | Value | Language |
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dc.contributor.advisor | Croft, J | - |
dc.contributor.advisor | Fox, C | - |
dc.contributor.advisor | Gilmore, B | - |
dc.contributor.author | Muenz, Harald | - |
dc.date.accessioned | 2016-01-07T14:18:52Z | - |
dc.date.available | 2016-01-07T14:18:52Z | - |
dc.date.issued | 2015 | - |
dc.identifier.uri | http://bura.brunel.ac.uk/handle/2438/11808 | - |
dc.description | This thesis was submitted for the award of Doctor of Philosophy and was awarded by Brunel University London. | en_US |
dc.language.iso | en | en_US |
dc.publisher | Brunel University London | en_US |
dc.relation.uri | http://bura.brunel.ac.uk/bitstream/2438/11808/1/FulltextThesis.pdf | - |
dc.subject | Critical composing | en_US |
dc.subject | Avant-garde music | en_US |
dc.subject | Acoustic situations | en_US |
dc.subject | Aesthetic phonetics | en_US |
dc.subject | Music and perception | en_US |
dc.title | A portfolio of compositions with commentary | en_US |
dc.type | Thesis | en_US |
Appears in Collections: | Music Dept of Arts and Humanities Theses |
Files in This Item:
File | Description | Size | Format | |
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FulltextThesis.pdf | 2.46 MB | Adobe PDF | View/Open |
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