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Collection's Items (Sorted by Submit Date in Descending order): 1 to 50 of 56
Issue DateTitleAuthor(s)
2021The Computer Music Designer in the context of physical computing and interactive instrument designGourtani, Ardeshir M.
2021Points for DeparturesLondon, Matt
2021Improvisation and everyday life as creative tools for composing music for performers, live electronics and videoGiusti, Vinicius
2020“The guy that hangs around with the musicians” : Exploring the relationship of pitched percussion to the rock band and the traditions of the rock drummerAtherton, Tom
2020The vocalization of the drum kit: An evolutive approach to a dynamic drumming style driven by sound phrases and evolving gesturesFellay, Christophe
2020…a settling stillness, weighted dust… A portfolio of original compositions and commentaryCave, Samuel Charles
2019Quantum Music – Towards a unified aestheticBell, Adam
2019An existentialist frame for singing and singing teachingClethero, Sara
2018Wonder, grain, silence and notation: Commentary on a portfolio of compositionsBrignall, Oliver
2017A pluralistic spectrum of the mimeticFlett, Graham
2017Towards hypertextual music: digital audio, deconstruction and computer music creationBritton, Sam
2011Hacking traditional instruments: approaches to sound-oriented instrumental compositionMorales Murguía, Hugo
2011Towards a new aesthetic in contemporary instrumental ensemble, vocal and chamber opera compositionThompson, Shirley J
2016From virtuoso solo to ensemble operaTafreshipour, Amir Mahyar
2016Paradigms, perspectives and participation: reconceptualising amateur orchestras as unique socio-musical communities of practiceArrowsmith, James Donald
2015Composing with an expanded instrumental paletteMcGuire, Paul
2014Collaborative computer music composition and the emergence of the computer music designerFaia-Harrison, Carl
2015A portfolio of compositions with commentaryMuenz, Harald
2014Off the edgeStoneham, Luke
2015Actions towards freedom: Theoretical and practical perspectives on improvisation and compositionHall, Andrew
2014Opening offer or contractual obligation? On the prescriptive function of notation in music todayFox, C
2014Karnatic rhythmical structures as a source for new thinking in western musicReina, Rafael
2012A gesturally controlled improvisation system for pianoNicolls, S; Gillian, N
2007The invisible artist: Arrangers in popular music (1950-2000): Their contribution and techniquesNiles, Richard
2012New sounds and extended composition techniquesOhara, Yuko
2012Sight, sound, the chicken and the egg: Audio-visual co-dependency in musicKatan, Simon
2013Form and freedom: the marriage of musical systems and intuitionGotham, Nicholas
2012Looking at sound / listening to imageKolsoe Ágústsdóttir, Hallveig Guony
2013Combining musical identities through composition and improvisationPerks, Richard
2013A holistic view of the creative potential of performance practice in contemporary musicLüneburg, Barbara
2010Seeking out the spaces between: Using improvisation for collaborative composition and interactive technologyNicolls, S
2008The psychological, psychophysical and ergogenic effects of music in sport: A review and synthesisKarageorghis, CI; Terry, PC
2011Methods and ideas for the creation of 'transparent' music in the classroomLawrence, Tom
2011The instrument in space: The embodiment of music in the machine ageWilkins, Caroline
2011Discovering, creating and experiencing notions of theatricality in musical performanceEmfietzis, Grigorios
2012Open, mobile and indeterminate formsDe Bièvre, Guy
2012Music in the exercise domain: A review and synthesis (Part II)Karageorghis, CI; Priest, DL
2012Music in the exercise domain: A review and synthesis (Part I)Karageorghis, CI; Priest, DL
2010CuDAS: An interactive curriculum combining pedagogic composition with interactive software for the teaching of music technologyLeaman, Oliver
2010The creative symbiosis of composer and performer (An examination of collaborative practice in partially improvised works)Melvin, Andrew
2010Interacting with the pianoNicolls, Sarah Louise
2011The physicality of sound production on acoustic instrumentsWilliams, Tristan Rhys
2010Dirty light: The application of musical principles to the organisation of light as an extension of musical expression into the non-figurative visual realmCiciliani-Stiglmayer, Marko
2011Reworking musical strategies in the digital ageReuben Paris, Federico
2010Metonymy as a creative structural principle in the work of J.H. Prynne, Derek Bailey and Helmut Lachenmann with a creative componentLash, Dominic
2010Block structures, multi-layering and memory. Composition portfolio: CommentaryPeters, Nicholas Rayfield
2010In order and out of time: Compositions exploring processes, polymeters and balanceGisby, Steven David
2008My dirty stream: Pete Seeger, American folk music and environmental protestIngram, D
2009Four pieces of music with critical commentaryHolter, Colin Kirkland
2007A grounded theory of young tennis players’ use of music to manipulate emotional stateBishop, DT; Karageorghis, CI; Loizou, G
Collection's Items (Sorted by Submit Date in Descending order): 1 to 50 of 56