Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/12485
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dc.contributor.authorHakak, Y-
dc.date.accessioned2016-04-14T11:36:53Z-
dc.date.available2015-12-30-
dc.date.available2016-04-14T11:36:53Z-
dc.date.issued2015-
dc.identifier.citationVisual Ethnography, 4(2): pp. 33 - 64, (2015)en_US
dc.identifier.issn2281-1605-
dc.identifier.urihttp://www.vejournal.org/index.php/vejournal/article/view/80-
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/12485-
dc.description.abstractThe Haredi (Jewish Ultra Orthodox) minority in Israel has an increased visibility in Israeli media in recent years. Many of its representations are negative and stereotypical. This article is an analysis of a documentary series about this minority group that the author co-directed also in an attempt to challenge these stereotypes. The article analyses the process of production of the series and the many decisions that had to be taken during it. It explores the difficulties in challenging the key stereotypes, especially in the context of Israeli commercial television.en_US
dc.format.extent33 - 64 (31)-
dc.languageEnglish-
dc.language.isoenen_US
dc.publisherAltrimedia Edizionien_US
dc.subjectIsraelen_US
dc.subjectHaredyen_US
dc.subjectReligionen_US
dc.subjectStereotypeen_US
dc.subjectDocumentary filmen_US
dc.titleFilmed ‘Not During the Sabbath’: The Israeli Haredi Minority through the Camera’s Lensen_US
dc.typeArticleen_US
dc.identifier.doihttp://dx.doi.org/10.12835/ve2015.2-0050-
dc.relation.isPartOfVisual Ethnography-
pubs.issue4-
pubs.publication-statusPublished-
pubs.publication-statusPublished-
pubs.volume4-
Appears in Collections:Dept of Clinical Sciences Research Papers

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