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http://bura.brunel.ac.uk/handle/2438/25048| Title: | Anatomy, Mon Amour |
| Authors: | Birringer, J Danjoux, M |
| Keywords: | abject body;anatomy;autobiography;illness;psychic torture |
| Issue Date: | 28-Nov-2021 |
| Publisher: | IATC / AICT |
| Citation: | Birringer, J. and Danjoux, M. (2021) 'Anatomy, Mon Amour', Critical Stages/Scènes critiques, 2021 (24), pp. 1 - 13. Available at: https://www.critical-stages.org/24/anatomy-mon-amour/. |
| Abstract: | Copyright © 2021 The Author(s). In the anatomy theatre of human bodies, contemporary art can be penetrating and distressing, performing its exhibition into haunting pataphysical occurrences, where color, figuration, shapes seep into our imagination like infectious slime. Looking at The Loneliness of the Soul, featuring works by Tracey Emin paired with paintings and watercolors by Edvard Munch (shown at Royal Academy of Art, London, and MUNCH Museum, Oslo, in 2021), the authors examine the odd couple focusing on the abjectness of Emin’s autobiographical drawings of her seemingly devastated body and seek to trace some tendencies of her female erotic and pornographic self-exposure. |
| Description: | The IATC journal/Revue de l'AICT |
| URI: | https://bura.brunel.ac.uk/handle/2438/25048 |
| Appears in Collections: | Dept of Arts and Humanities Research Papers |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| FullText.pdf | 6.07 MB | Adobe PDF | View/Open |
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