Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/25972
Full metadata record
DC FieldValueLanguage
dc.contributor.authorNobus, DM-
dc.date.accessioned2023-02-18T17:58:24Z-
dc.date.available2023-02-18T17:58:24Z-
dc.date.issued2023-04-17-
dc.identifier.citationNobus, D.M. (2023) 'Between the Eyes and the Gaze: A Brief Commentary on Pierre Fédida's 'Anxiety in the Eyes'', Psychoanalysis and History, 25 (1), pp. 95-100. doi: 10.3366/pah.2023.0455.en_US
dc.identifier.issn1460-8235-
dc.identifier.urihttps://bura.brunel.ac.uk/handle/2438/25972-
dc.format.extent17 - 20 (4)-
dc.format.mediumPrint-Electronic-
dc.language.isoenen_US
dc.publisherEdinburgh University Pressen_US
dc.rightsThis is an Accepted Manuscript of an article published by Edinburgh University Press in Psychoanalysis and History, Volume 25 Issue 1, Pages 95-100, ISSN 1460-8235 on 1 Apr 2023, available online: https://www.euppublishing.com/doi/10.3366/pah.2023.0455 (see: https://www.euppublishing.com/customer-services/authors/copyright).-
dc.rights.urihttps://www.euppublishing.com/customer-services/authors/copyright-
dc.titleBetween the Eyes and the Gaze: A Brief Commentary on Pierre Fédida's 'Anxiety in the Eyes'en_US
dc.typeArticleen_US
dc.identifier.doihttps://doi.org/10.3366/pah.2023.0455-
dc.relation.isPartOfPsychoanalysis and History-
pubs.issue1-
pubs.publication-statusPublished-
pubs.volume25-
dc.identifier.eissn1755-201X-
dc.rights.holderEdinburgh University Press-
dc.rights.holderEdinburgh University Press-
Appears in Collections:Dept of Life Sciences Research Papers

Files in This Item:
File Description SizeFormat 
FullText.pdfThis is an Accepted Manuscript of an article published by Edinburgh University Press in Psychoanalysis and History, Volume 25 Issue 1, Pages 95-100, ISSN 1460-8235 on 1 Apr 2023, available online: https://www.euppublishing.com/doi/10.3366/pah.2023.0455 (see: https://www.euppublishing.com/customer-services/authors/copyright).191.44 kBAdobe PDFView/Open


Items in BURA are protected by copyright, with all rights reserved, unless otherwise indicated.