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|2011||Clubbing masculinities: Gender shifts in gay men's dance floor choreographies||Peterson, GT|
|2014||Audience participation in theatre: Aesthetics of the invitation by Gareth White||Peterson, GT|
|2015||Inclusive masculinities in a working-class sixth form in northeast England||Blanchard, C; McCormack, M; Peterson, GT|
|2009||The Male Dancer: Spectacle, Bodies, Sexuality by Ramsay Burt.||Peterson, GT|
|2014||A Revolutionary Proposal: Alexander trocchi, dramaturgies of disruption andsituationist genealogies||Peterson, GT|
|2016||The People Show||Peterson, GT|
|2016||The Grammar of Politics and Performance by Shirin M. Rai and Janelle Reinelt||Peterson, GT|
|2016||Essai (French: ‘test’, ‘attempt’, ‘trial’, ‘tryout’): Democratizing singing: Teaching musical theatre to a mixed-ability higher education student cohort||Peterson, GT; Chow, B|