Collection's Items (Sorted by Submit Date in Descending order): 401 to 450 of 498
| Issue Date | Title | Author(s) |
| 2015 | Looking back on the 1930s without being anti-communist: Cornford, Orwell, Spender, Sommerfield | Hubble, N |
| 2014 | “Exit Pursued by a Zombie”: The Vampire We Desire, the Shakespeare We Reject | Leahy, W |
| 2014 | The drinker with the writing problem: Brendan Behan's anecdotes of alcoholism | Lynch, C |
| 2013 | Isaac D'Israeli and the invention of the literary character | Gaston, S |
| 2013 | “Critical Humanist Thoughts on the Burnett Archive of Working Class Autobiography – ‘Nobody Wages War with Dostoevsky or Dickens’ | Lynch, C |
| 2013 | Ante-Autobiography and the Archive of Childhood | Lynch, C |
| 2014 | Some recent British string quartets | Fox, C |
| 2014 | The regulation of pornography on video-on-demand in the United Kingdom | Petley, J |
| 2013 | The impact of the Netherlandish landscape tradition on poetry and painting in early modern England | Trevisan, S |
| 2014 | Will Self and Zadie Smith’s depictions of post-Thatcherite London: Imagining traumatic and traumatological Space | Tew, P |
| 2012 | Metamorphosis: Titian 2012 | Broadhurst, S |
| 2011 | Women's clubs: Dispersing Shakespeare across America | Leahy, W; Whetstone, T |
| 2008 | "A touch of in'nard fever": Illness and moral decline in 'Elster's Folly' | Cox, J |
| 2010 | Gender, conflict, continuity: Anne Brontë's 'The Tenant of Wildfell Hall' (1848) and Sarah Grand's 'The Heavenly Twins' (1893) | Cox, J |
| 2010 | Moveable worlds/digital scenographies | Birringer, J |
| 2008 | Postcolonial/queer and the “new” South Africa: HIV/AIDS and the emerging queer transnational politics | Spurlin, WJ |
| 2014 | The turn to precarity in twenty-first century fiction | Morrison, J |
| 2010 | Resisting heteronormativity/resisting recolonisation: Affective bonds between indigenous women in southern Africa and the difference(s) of postcolonial feminist history | Spurlin, WJ |
| 2012 | This progressive production: Agency, durability and keeping it contemporary | Richards, M |
| 2011 | Clubbing masculinities: Gender shifts in gay men's dance floor choreographies | Peterson, GT |
| 2013 | 'Representing the very ethic he battled': Secularism, Islam(ism) and self-transgression in The Satanic Verses | Mondal, AA |
| 2009 | Akram Khan re-writes ‘Radha’: The ‘hypervisible’ cultural identity in Kylie Minogue’s ‘Showgirl’ | Mitra, R |
| 2013 | Aging reimagined: Exploring older women’s attitudes to aging through reader response | Morrison, J |
| 2011 | Hadithi ya Afrika: A collaborative project using dramatherapy and creative writing | Penny, S |
| 2012 | Einstein on the beach: A study in temporality | Broadhurst, S |
| 2012 | Merleau-Ponty and neuroaesthetics: Two approaches to performance and technology | Broadhurst, S |
| 2009 | ‘The freedom of the city’: Mansfield and Woolf | Hubble, N |
| 2010 | The liminal persistence of interwar suburbs in the twenty-first century | Hubble, N |
| 2010 | Mass Observation Online (review article) | Hubble, N |
| 2011 | Introduction: Middlebrow London | Hubble, N |
| 2011 | "In the twentieth century, and the heart of civilisation”: The London of the Forsytes | Hubble, N |
| 2008 | Historical psychology, utopian dreams and other fool’s errands | Hubble, N |
| 2012 | John Sommerfield and mass-observation | Hubble, N |
| 2010 | The impossibility of sympathy | Gaston, S |
| 2010 | Introduction to adapting the nineteenth century: Revisiting, revising and rewriting the past | Cox, J |
| 2008 | Sensational realism? Jane Eyre and the problem of genre | Cox, J |
| 2012 | A gesturally controlled improvisation system for piano | Nicolls, S; Gillian, N |
| 2011 | Derrida and the end of the world | Gaston, S |
| 2012 | The fables of pity: Rousseau, Mandeville and the animal-fable | Gaston, S |
| 2013 | Bauhaus, constructivism, performance | Birringer, J |
| 2013 | Acting Brackets (from notes on directing Leslie Scalapino's Flow (Winged Crocodile) / The Trains) | Templeton, F |
| 2010 | Seeking out the spaces between: Using improvisation for collaborative composition and interactive technology | Nicolls, S |
| 2009 | “Discover your own Ireland”: Virtual Ireland(s) for an international audience | Lynch, C |
| 2010 | "Unlike actors, politicians or eminent military men”: The meaning of hard work in working class autobiography | Lynch, C |
| 2010 | New essays on life writing and the body (Review) | Lynch, C |
| 2011 | Who do you think you are? Intimate pasts made public | Lynch, C |
| 2012 | Adapting musicology's use of affect theories to contemporary theatre making: Directing Martin Crimp's attempts on her life | Campbell, A |
| 2002 | B. S Johnson | Tew, P |
| 2011 | Coming of age | Bazalgette, L; Holden, J; Tew, P; Hubble, N; Morrison, J |
| 2011 | The flame and the sword: Cypriot literature of liberation considered from post-colonial, psychological and creative perspectives | Lefteri, Christy |
Collection's Items (Sorted by Submit Date in Descending order): 401 to 450 of 498
