Collection's Items (Sorted by Submit Date in Descending order): 351 to 400 of 498
| Issue Date | Title | Author(s) |
| 2016 | "Some people are born strange": A Brechtian theater pedagogy as philosophical ethnography | Frimberger, K |
| 2016 | Performance in the cabinet of curiosities: Or, the boy who lived in the tree | Birringer, J |
| 2016 | Editorial: Same old? | Fox, C |
| 2018 | Derrida and the Problem of History 1964-1965 | Gaston, S |
| 2016 | Toward a theory of experimental world epic: David Mitchell's Cloud Atlas | Knepper, W |
| 2016 | Towards a radical world literature: Experimental writing in a globalizing world | Knepper, W; Deckard, S |
| 20-Oct-2016 | Decolonising immersion: Translation, spectatorship, rasa theory and contemporary British dance | Mitra, R |
| 2016 | George Eliot and the Anglican Reader | Gaston, S |
| 2016 | Essai (French: ‘test’, ‘attempt’, ‘trial’, ‘tryout’): Democratizing singing: Teaching musical theatre to a mixed-ability higher education student cohort | Peterson, GT; Chow, B |
| 2014 | Queering Translation | Spurlin, WJ |
| 2016 | The People Show | Peterson, GT |
| 2014 | A Revolutionary Proposal: Alexander trocchi, dramaturgies of disruption andsituationist genealogies | Peterson, GT |
| 2016 | Editorial: The many lives of William Shakespeare | Leahy, W |
| 5-Jul-2016 | Enhancing the design process with drama-related methods | Lawson, G; Brown, M; Coughlan, T; Floyde, A; Baurley, S; Elliott, M; Koppe, T; Tsai, A |
| 2016 | The Erotic Voyeur: Sensorial engagement in Punchdrunk’s The Drowned Man | Maples, H |
| 25-Feb-2016 | Edmund Allenby | Hughes, M; Farquharson, I |
| 2016 | ‘The real rape of York’ - Dr. Rosenbach’s acquisition of books from York Minster Library: a reconsideration | Evenden, E |
| 2016 | Contested Borders: Cultural Translation and Queer Politics in Contemporary Francophone Writing from the Maghreb | Spurlin, WJ |
| 6-Mar-2017 | Jihadi fiction: radicalisation narratives in the contemporary novel | Morrison, J |
| 2014 | Theorising performance and technology: Aesthetic and neuroaesthetic approaches | Broadhurst, S |
| 2013 | Memoir: An Introduction | Lynch, C |
| 2015 | The english martyr from reformation to revolution. By Alice Dailey. Notre Dame, Indiana: University of Notre Dame, 2012. xv + 352 pp. £32.50. ISBN 13: 978-0-268-02612-7 | Evenden, E |
| 2014 | The gender and queer politics of translation: New approaches | Spurlin, WJ |
| 2015 | Postcolonially queer: Sexual dissidence as cultural struggle in emergent democracies in Africa | Spurlin, WJ |
| 2015 | Absolute terror, or what do you see behind the masks? | Birringer, J |
| 2015 | The new digital materialism | Birringer, J |
| 2015 | Resonances: The sound of performance | Birringer, J |
| 2015 | Atmospheres of choreographic design | Birringer, J; Danjoux, M |
| 2016 | Articles of faith: Freedom of expression and religious freedom in contemporary multiculture | Mondal, A |
| 2015 | Composing, Researching and Ways of Talking | Croft, J |
| 2015 | Inclusive masculinities in a working-class sixth form in northeast England | Blanchard, C; McCormack, M; Peterson, GT |
| 2009 | The Male Dancer: Spectacle, Bodies, Sexuality by Ramsay Burt. | Peterson, GT |
| 2014 | Audience participation in theatre: Aesthetics of the invitation by Gareth White | Peterson, GT |
| 2015 | Kinect-ed Piano | Gillian, N; Nicolls, S |
| 2014 | 'There is No Doubt that I'm Old': Everyday Narratives of Ageing | Hubble, N; Tew, P |
| 2014 | Communicating the ideas and attitudes of spying in film music: A social semiotic approach | Griffith, F; Machin, D |
| 2014 | Living with the user: Design drama for dementia care through responsive scripted experiences in the home | Coughlan, T; Brown, M; Lawson, G; McAuley, D; Baurley, S; Tsai, A; Koppe, T; Elliott, M; Green, S; Martin, J |
| 2014 | Using cultural probes to inform the design of assistive technologies | Brown, M; Tsai, A; Baurley, S; Koppe, T; Lawson, G; Martin, J; Coughlan, T; Elliott, M; Green, S; Arunachalam, U |
| 2014 | Audience affirmation and the labour of professional wrestling | Chow, BDV; Laine, E |
| 21-Oct-2014 | Here is a story for me: Representation and visibility in Miss Saigon and The Orphan of Zhao | Chow, BDV |
| 2014 | Work and shoot: Professional wrestling and embodied politics | Chow, BDV |
| 2014 | An actor manages: Actor training and managerial ideology | Chow, BDV |
| 2015 | Raumwirkung: the case of Wozzeck | Birringer, J |
| 2014 | "Joe Annie Street" | Birringer, J |
| 2015 | Composition is not research | Croft, J |
| 2001 | Interaction, reaction and performance: The human body tracking project | Broadhurst, S |
| 2009 | La bambola di carne | Birringer, J |
| 1998 | Chomsky and Foucault on Human Nature and Politics | Wilkin, P |
| 2007 | Space and the senses: the (syn)aesthetics of Punchdrunk's site-sympathetic work | Machon, J |
| 2014 | Special Section Introduction: Mass Observation as Method | Casey, E; Courage, F; Hubble, N |
Collection's Items (Sorted by Submit Date in Descending order): 351 to 400 of 498
