Collection's Items (Sorted by Submit Date in Descending order): 101 to 147 of 147
| Issue Date | Title | Author(s) |
| 2013 | The role of imagination in Bergman, Klein and Sartre | Williams, Daniel |
| 2012 | ‘Dark Amelia’ a novel re-imagining historical characters within a fictional
story; and a critical thesis: ‘Inventing Shakespeare’: Is this relevant to 21st century writers? A short history of made-up Shakespeares and an examination of the challenge of re-inventing iconic historical characters.’ | O’Reilly, Sally Anne |
| 2002 | Aspects of style and design in the Missa L'homme Armé tradition c. 1450-c. 1500 | Walters, Keith John |
| 2012 | Acting theory as poetic of drama: A study of the emergence of the concept of 'motivated action' in playwriting theory | Ferreira de Mendonça, Guilherme Abel |
| 2013 | Bodies and labour: industrialisation, dance and performance | McColl, Jennifer |
| 2011 | Hypermasculinity and the hero in comic book fiction: This Is It | Connell, Daniel |
| 2009 | Metafiction, historiography, and mythopoeia in the novels of John Fowles | Buchberger, Michelle |
| 2006 | The besieged ego | Ruddell, Caroline |
| 2011 | Methods and ideas for the creation of 'transparent' music in the classroom | Lawrence, Tom |
| 2011 | The instrument in space: The embodiment of music in the machine age | Wilkins, Caroline |
| 2011 | "Disney is the Tiffany’s and I am the Woolworth's of the business": A critical re-analysis of the business philosophies, production values and studio practices of animator-producer Paul Houlton Terry | Hamonic, Wynn |
| 2011 | Discovering, creating and experiencing notions of theatricality in musical performance | Emfietzis, Grigorios |
| 2011 | Immersion and interaction: Creating virtual 3d worlds for stage performances | Polydorou, Doros |
| 2011 | Space and place as expressive categories in videogames | Martin, Paul |
| 2012 | Open, mobile and indeterminate forms | De Bièvre, Guy |
| 2011 | Performing the comic side of bodily abjection: A study of twenty-first century female stand-up comedy in a multi-cultural and multi-racial Britain | Blunden, Pamela |
| 2011 | A practice-based investigation into the process of film reception in the context of the modern era | Suazo Zepeda, Jose Emilio |
| 2011 | Ciné Parkour: A cinematic and theoretical contribution to the understanding of the practice of parkour | Angel, Julie Margaret |
| 2010 | CuDAS: An interactive curriculum combining pedagogic composition with interactive software for the teaching of music technology | Leaman, Oliver |
| 2011 | Applied live art: Co-authorship in socially engaged and site-responsive performance practice | Sánchez-Camus, Roberto |
| 2011 | A state of transcendence in dance: An autoethnographic analysis | Go, Hyeon Jeong |
| 2004 | Endangered bodies: Woman and nature in the contemporary British novel by women writers | Ford, Anna Jane |
| 2010 | The creative symbiosis of composer and performer (An examination of collaborative practice in partially improvised works) | Melvin, Andrew |
| 2010 | Interacting with the piano | Nicolls, Sarah Louise |
| 2010 | Visual poetics: The art of perception in the poetry of Elizabeth Bishop and Sylvia Plath | Nader, Myrna |
| 2006 | Spectrums of investment in Doctor Who fandom | Duckworth, Steven J |
| 2001 | Documenting the making process | Freeman, John |
| 2010 | Transforming the Law of One: Anne Sexton and Sylvia Plath from a Kristevan perspective | Khalifeh, Areen Ghazi |
| 2011 | The physicality of sound production on acoustic instruments | Williams, Tristan Rhys |
| 2010 | Dirty light: The application of musical principles to the organisation of light as an extension of musical expression into the non-figurative visual realm | Ciciliani-Stiglmayer, Marko |
| 2001 | Physical dance performance: An investigation into the development of a performance technique based on the integration of certain Korean dance technique and contemporary Western styles of dance and physical theatre | Kim, Sang Kyung |
| 2011 | Reworking musical strategies in the digital age | Reuben Paris, Federico |
| 2010 | The female bouffon | Ovalioglu, Nilufer |
| 2010 | Metonymy as a creative structural principle in the work of J.H. Prynne, Derek Bailey and Helmut Lachenmann with a creative component | Lash, Dominic |
| 2010 | Block structures, multi-layering and memory. Composition portfolio: Commentary | Peters, Nicholas Rayfield |
| 2010 | Positive representation of Inns of Court lawyers in Jacobean city comedy | Westlake, David |
| 2010 | The invisible scissors: Media freedom and censorship in Switzerland | Höchli, Marc |
| 2010 | In order and out of time: Compositions exploring processes, polymeters and balance | Gisby, Steven David |
| 2010 | Photo-performance: A study of the performativity of butoh dance photography | Bieszczad-Roley, Karolina |
| 2010 | Walking in London: The fiction of Neil Bartlett, Sarah Waters and Alan Hollinghurst | Cleminson, Julie |
| 2000 | Pageants, processions and plays: Representations of royal and state power and the common audience in early modern England | Leahy, William Jarleth |
| 2009 | Physical theatre as an approach to contemporary stagings of classical Greek tragedy | Moschochoriti, Rubini |
| 2005 | Digital arts in the context of traditional and contemporary creative arts training and practices | Moin Namini, Susan |
| 2009 | Four pieces of music with critical commentary | Holter, Colin Kirkland |
| 2009 | Telling interactive stories: A practice-based investigation into new media interactive storytelling | Atkinson, Sarah |
| 2007 | Portfolio of orchestra compositions | Rowley, Helen Jane |
| 2003 | (Syn)aesthetics and disturbance - Tracing a transgressive style | Machon, Josephine |
Collection's Items (Sorted by Submit Date in Descending order): 101 to 147 of 147
