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Collection's Items (Sorted by Submit Date in Descending order): 51 to 100 of 116
Issue DateTitleAuthor(s)
2015A return to 'the great variety of readers’: the history and future of reading ShakespeareWilliams, Robin P.
2013Q1 and Q2 Hamlet Evidence old and new, a case for a revised Q2Jolly, Emma Margrethe
2014Traumagical realism and the re-creation process: subversive commun(e)ication of the traumatic in theatre and performanceMacias-Gutierrez, Elizabeth
2014In the name of the father: Manliness, control and social salvation in the works of George MacDonaldNeophytou, Jenny
2013Novelists and women in WW1: Challenging traditional binarisms – A critical essay and half painted war: an original novelPhilo-Gill, Samantha Adele
2011Material agency and performative dynamics in the practices of media artTränkle, Marion
2014Body, time, and the others: African-American anthropology and the rewriting of ethnographic conventions in the ethnographies by Zora Neale Hurston and Katherine DunhamVolpi, Serena Isolina
2014Karnatic rhythmical structures as a source for new thinking in western musicReina, Rafael
2014Mnemophrenia: a science fiction film-essay on the future of cinema and artificial memoriesKonstantinidou, Eirini
2007The invisible artist: Arrangers in popular music (1950-2000): Their contribution and techniquesNiles, Richard
2012Noise poetics: A flow of cutsJones, Nathan
2012New sounds and extended composition techniquesOhara, Yuko
2013Pure Mafia - a novel about child labour, plus thesis and commentaryAhmad, Rohail
2012Sight, sound, the chicken and the egg: Audio-visual co-dependency in musicKatan, Simon
2013Form and freedom: the marriage of musical systems and intuitionGotham, Nicholas
2012Looking at sound / listening to imageKolsoe Ágústsdóttir, Hallveig Guony
2013Angolan body painting performances: Articulations of diasporic dislocation, postcolonialism and interculturalism in BritainCuxima-Zwa, Chikukuango Antonio
2013Combining musical identities through composition and improvisationPerks, Richard
2013A holistic view of the creative potential of performance practice in contemporary musicLüneburg, Barbara
2012The suspension of disbelief in videogamesBrown, Douglas; William
2013The role of imagination in Bergman, Klein and SartreWilliams, Daniel
2002Aspects of style and design in the Missa L'homme Armé tradition c. 1450-c. 1500Walters, Keith John
2012Acting theory as poetic of drama: A study of the emergence of the concept of 'motivated action' in playwriting theoryFerreira de Mendonça, Guilherme Abel
2013Bodies and labour: industrialisation, dance and performanceMcColl, Jennifer
2011Hypermasculinity and the hero in comic book fiction: This Is ItConnell, Daniel
2009Metafiction, historiography, and mythopoeia in the novels of John FowlesBuchberger, Michelle
2006The besieged egoRuddell, Caroline
2011Methods and ideas for the creation of 'transparent' music in the classroomLawrence, Tom
2011The instrument in space: The embodiment of music in the machine ageWilkins, Caroline
2011"Disney is the Tiffany’s and I am the Woolworth's of the business": A critical re-analysis of the business philosophies, production values and studio practices of animator-producer Paul Houlton TerryHamonic, Wynn
2011Discovering, creating and experiencing notions of theatricality in musical performanceEmfietzis, Grigorios
2011Immersion and interaction: Creating virtual 3d worlds for stage performancesPolydorou, Doros
2011Space and place as expressive categories in videogamesMartin, Paul
2012Open, mobile and indeterminate formsDe Bièvre, Guy
2011Performing the comic side of bodily abjection: A study of twenty-first century female stand-up comedy in a multi-cultural and multi-racial BritainBlunden, Pamela
2011A practice-based investigation into the process of film reception in the context of the modern eraSuazo Zepeda, Jose Emilio
2011Ciné Parkour: A cinematic and theoretical contribution to the understanding of the practice of parkourAngel, Julie Margaret
2010CuDAS: An interactive curriculum combining pedagogic composition with interactive software for the teaching of music technologyLeaman, Oliver
2011Applied live art: Co-authorship in socially engaged and site-responsive performance practiceSánchez-Camus, Roberto
2011A state of transcendence in dance: An autoethnographic analysisGo, Hyeon Jeong
2004Endangered bodies: Woman and nature in the contemporary British novel by women writersFord, Anna Jane
2010The creative symbiosis of composer and performer (An examination of collaborative practice in partially improvised works)Melvin, Andrew
2010Interacting with the pianoNicolls, Sarah Louise
2010Visual poetics: The art of perception in the poetry of Elizabeth Bishop and Sylvia PlathNader, Myrna
2006Spectrums of investment in Doctor Who fandomDuckworth, Steven J
2001Documenting the making processFreeman, John
2010Transforming the Law of One: Anne Sexton and Sylvia Plath from a Kristevan perspectiveKhalifeh, Areen Ghazi
2011The physicality of sound production on acoustic instrumentsWilliams, Tristan Rhys
2010Dirty light: The application of musical principles to the organisation of light as an extension of musical expression into the non-figurative visual realmCiciliani-Stiglmayer, Marko
2001Physical dance performance: An investigation into the development of a performance technique based on the integration of certain Korean dance technique and contemporary Western styles of dance and physical theatreKim, Sang Kyung
Collection's Items (Sorted by Submit Date in Descending order): 51 to 100 of 116