Collection's Items (Sorted by Submit Date in Descending order): 51 to 100 of 154
| Issue Date | Title | Author(s) |
| 2018 | If self-publishing represents a vital, resistive addition to the literary field due to its democratisation of the publishing process and, crucially, the manner in which it empowers new authorial voices and character representation, what are the implications for high fantasy authors and the publishing industry? | Dillon-Lee, Faith |
| 2017 | A pluralistic spectrum of the mimetic | Flett, Graham |
| 2018 | Stay hungry, stay choosy: a dystopian novel based on insights from critical ethnographic research on the overeducated and underemployed in Italy and the United Kingdom | Buciu, Felicia Catalina |
| 2017 | Becoming indiscernible: from bare life to female machines. A study of the philosophy of Agamben and Deleuze in the space of science fiction | Cox, Emily Venetia |
| 2016 | Europe after the rain: Alan Burns and the post-war avant-garde | Devaney, Kieran John Michael |
| 2017 | Towards hypertextual music: digital audio, deconstruction and computer music creation | Britton, Sam |
| 2017 | The performance of breathlessness on the page | Worden, Jessica |
| 2017 | A critical review of four novels: Hitman, The Fixer, Baptism and Sacrifice | Kinnings, Max |
| 2016 | Unpacking the industrial, cultural and historical contexts of Doctor Who's fan-producers | Adams, Mark Richard |
| 2011 | Hacking traditional instruments: approaches to sound-oriented instrumental composition | Morales Murguía, Hugo |
| 2014 | The professional officer class in post-war cinema – or how British films learned to stop worrying and love the affluent society | Roberts, Andrew |
| 2017 | The culture of ‘the Culture’: utopian processes in Iain M. Banks’s space opera series | Norman, Joseph S |
| 2013 | Playing against the grain: Rhetorics of counterplay in console based first-person shooter videogames. | Meades, Alan Frederick |
| 2014 | Has the fire burned out? New Labour and the end of British Social Realism | Nwonka, Clive, James |
| 2014 | A linguistic analysis of Francis Bacon's contribution to three Shakespeare plays: the comedy of errors, love's labour's lost, and the tempest | Clarke, Barry R |
| 2011 | Towards a new aesthetic in contemporary instrumental ensemble, vocal and chamber opera composition | Thompson, Shirley J |
| 2015 | Shakespearean biografiction: how modern biographers rely on context, conjecture and inference to construct a life of the Bard | Kevin, Gilvary |
| 2015 | Factions and class fictions: investigating narratives of resistance in representations of lower-class men in post-War British literature in the New Wave & Thatcherite years & If I’m ever to find these trees meaningful I must have you by the thighs: a collection of poems | Smith, Wayne |
| 2014 | After Postmodernism: Contemporary theory and fiction | Tsoulou, Martha |
| 2015 | Digital performance: how representations of physical and virtual bodies inform identity construction/deconstruction | Ren, Helenna |
| 2016 | The Gift of Death, or, Beyond the Beneficent Spider: A novel & associated critical exposition | Tew, Philip |
| 2014 | Communicative semiotics in everyday life (Cultural criticism – the image in the 21st century) | Fidouh, Dalel |
| 2016 | Trajectories, thresholds, transformations: Coming of age in classic modern fantasy fiction | Ersoy, Gozde |
| 2015 | The representation of the Iraq War in selected Anglo-American and Iraqi novels | Mohammed, Pshtiwan Faraj |
| 2015 | 'Liberties and licences': gender, stream of consciousness and the philosophy of Henri Bergson and William James in selected female modernist fiction 1914-1929 | Saeed, Alan Ali |
| 2015 | Early screenwriting teachers 1910-1922: Origins, contribution and legacy | Curran, Stephen Charles |
| 2016 | From virtuoso solo to ensemble opera | Tafreshipour, Amir Mahyar |
| 2016 | Paradigms, perspectives and participation: reconceptualising amateur orchestras as unique socio-musical communities of practice | Arrowsmith, James Donald |
| 2015 | A critical review of four novels by Celia Brayfield considering their production and impact in the context of contemporary literature | Brayfield, Celia |
| 2015 | Composing with an expanded instrumental palette | McGuire, Paul |
| 2015 | News values in online and visual data journalism | Dick, Murray |
| 2015 | From buddy movie to bromance | Vaughan, Nicola |
| 2014 | Collaborative computer music composition and the emergence of the computer music designer | Faia-Harrison, Carl |
| 2015 | A portfolio of compositions with commentary | Muenz, Harald |
| 2015 | Imaginative truth: biographical narratives inspired by the lives of six lone older women with critical commentary | Filtness, Emma Laura |
| 2014 | Off the edge | Stoneham, Luke |
| 2015 | Actions towards freedom: Theoretical and practical perspectives on improvisation and composition | Hall, Andrew |
| 2015 | A return to 'the great variety of readers’: the history and future of reading Shakespeare | Williams, Robin P. |
| 2013 | Q1 and Q2 Hamlet Evidence old and new, a case for a revised Q2 | Jolly, Emma Margrethe |
| 2014 | Traumagical realism and the re-creation process: subversive commun(e)ication of the traumatic in theatre and performance | Macias-Gutierrez, Elizabeth |
| 2014 | In the name of the father: Manliness, control and social salvation in the works of George MacDonald | Neophytou, Jenny |
| 2013 | Novelists and women in WW1: Challenging traditional binarisms – A critical essay and half painted war: an original novel | Philo-Gill, Samantha Adele |
| 2011 | Material agency and performative dynamics in the practices of media art | Tränkle, Marion |
| 2014 | Body, time, and the others: African-American anthropology and the rewriting of ethnographic conventions in the ethnographies by Zora Neale Hurston and Katherine Dunham | Volpi, Serena Isolina |
| 2014 | Karnatic rhythmical structures as a source for new thinking in western music | Reina, Rafael |
| 2014 | Mnemophrenia: a science fiction film-essay on the future of cinema and artificial memories | Konstantinidou, Eirini |
| 2007 | The invisible artist: Arrangers in popular music (1950-2000): Their contribution and techniques | Niles, Richard |
| 2012 | Noise poetics: A flow of cuts | Jones, Nathan |
| 2012 | New sounds and extended composition techniques | Ohara, Yuko |
| 2013 | Pure Mafia - a novel about child labour, plus thesis and commentary | Ahmad, Rohail |
Collection's Items (Sorted by Submit Date in Descending order): 51 to 100 of 154
