Collection's Items (Sorted by Submit Date in Descending order): 1 to 50 of 154
| Issue Date | Title | Author(s) |
| 2025 | Who gets to have a voice? A comparative analysis of traditional and subversive white saviour narratives in fiction | Jolomba, Warona |
| 2025 | Filming exile: An analysis of the making of colours of exile | Keshavarz Sarkar, Vahid |
| 2025 | A criminally violent turn - changing patterns of female transgression and deviance in contemporary Chinese-language cinemas | Zhu, Haihan |
| 2024 | The actor, the audience and the spy: Tracing actor training methodologies within twentieth century espionage practice and performance | Sobel, Ariel Whitfield |
| 2024 | LIE scales: Composing with scales of linear intervallic expansion | Bizzell-Browning, Nicholas John |
| 2024 | Time lines: Prison, coercion and liberation through poetry with critical commentary | Williams, Zoe |
| 2024 | Illuminating the dark side of fairy tales | Okoroafor, Chinyere |
| 2023 | Female agency in Egyptian cinema 1990s - 2023 | Nouasri, Alaa Belkis |
| 2023 | Designing a framework for VR mechanics that elicit targeted emotions | Mallary, Adriana Leigh |
| 2022 | There’s something wrong with JJ & stigma & ‘madness’: Understanding the development of mental health themes in young adult literature and the impact upon the novelist’s creative process | Clark, Brady Robert |
| 2023 | A critical review of four novels: The Lamplighters (2011): The Jack in the Green (2013); The Skintaker (2015); Hearthstone Cottage (2019) | Lee, Frazer |
| 2022 | Relational autonomy and interdependent selves in the fiction of Naomi Mitchison and Doris Lessing | Boskani, Shene |
| 2022 | The pretenders and why do you want to know? Writing a memoir in the face of intergenerational trauma: A reflective thesis | Liauw, Franchesca Giselle |
| 2021 | (Un)Belonging, affect and gender in a selection of contemporary British South Asian women’s novels by Sunetra Gupta, Meera Syal, Monica Ali, and Rekha Waheed | Hamed, Yaser |
| 2022 | The shadow myth – a novel & hero’s bias: developing fantasy villains outside of the perspective of the protagonist | Kuiper, Eleane Willemine |
| 2022 | Dead in the long room | Green, Andrew |
| 2021 | Performing the self(ie): performance studies, selfies and feminist identities | Hampton, Claire |
| 2022 | ‘One of us’ - depictions of Margaret Thatcher in British fiction 1979-2020: a Kristevan reading | Iliou, Raluca-Eugenia |
| 2021 | The British aleatory novel, 1959 - 1979 | Jenner, Sebastian Marc |
| 2022 | Dracula on film: A psychohistoricist study | Walden, Steven J |
| 2022 | The transposition of third meaning discourse from analogue to digital cinema | Stone, Ian P. |
| 2020 | A clockwork heart: The neuroscience of writing fiction – A new approach | Schwarz, Liesel |
| 2021 | Techno-choreography and the embodiment of Chineseness | Xu, Zhi |
| 2021 | The Computer Music Designer in the context of physical computing and interactive instrument design | Gourtani, Ardeshir M. |
| 2021 | Points for Departures | London, Matt |
| 2021 | Improvisation and everyday life as creative tools for composing music for performers, live electronics and video | Giusti, Vinicius |
| 2021 | Once upon a time in Soweto: South African literature, the writers, their works, and censorship | Ncube, Tryphine Simephi |
| 2020 | “The guy that hangs around with the musicians” : Exploring the relationship of pitched percussion to the rock band and the traditions of the rock drummer | Atherton, Tom |
| 2020 | Between site-specificity and landscape in video art | Ho, Yuda |
| 2020 | The vocalization of the drum kit: An evolutive approach to a dynamic drumming style driven by sound phrases and evolving gestures | Fellay, Christophe |
| 2020 | Under the skin of men | Niazi, Siamak |
| 2020 | Representations of care-experienced children in contemporary British fiction | Edwards-Capes, Kirsty |
| 2020 | Returning to Roissy: female submission and masochism in story of o and its adaptations | Taylor-Harman, Sarah |
| 2020 | The stranger left no card: a critical analysis of Wendy Toye’s work as a woman director in British cinema and television | Qureshi, Iram Kamran |
| 2020 | The Economies of Anime: Anime as a soft power, a cultural product and a (trans)national medium | Onemu, Uyoyo |
| 2020 | Fragmented Identities in selected novels by V.S. Naipaul and Toni Morrison: a postcolonial comparative approach | Mohamed Mohamed Ahmed, Alshaymaa |
| 2020 | …a settling stillness, weighted dust… A portfolio of original compositions and commentary | Cave, Samuel Charles |
| 2019 | Mimetic rivalry in shared virtual environments: A study of conflict and imitation in World of Warcraft | Goren, Eli |
| 2019 | Mailer‘s ghost: the record of a career | Forss, Alexis Wiktor |
| 2019 | Ecstatic Space: NEO-KUT and shamanic technologies | - |
| 2019 | An investigation into the cinematic representation of hegemonic spaces in 1960s and 1970s Iranian Rural Films | Sadeghi-Esfahlani, Asefeh |
| 2019 | Quantum Music – Towards a unified aesthetic | Bell, Adam |
| 2019 | A new framework for rethinking love between women: the development of lesbian narrative in Irish women’s writing, 1801 – 2017 | Charczun, Anna |
| 2019 | An existentialist frame for singing and singing teaching | Clethero, Sara |
| 2019 | Performing agonism: democracy in crisis and the project of autonomy in art’s social turn | Makka, Louiza |
| 2018 | Wonder, grain, silence and notation: Commentary on a portfolio of compositions | Brignall, Oliver |
| 2018 | Re-reading women’s patronage: The Cavendish/Talbot/Ogle Circle | Wheeler, Collette |
| 2017 | Introducing neo-surrealism: The social science of performance art | Puentes, Kalid |
| 2018 | The return to Darwin in the contemporary British novel: An evolutionary response to postmodernism and social constructivism | Abdulwahab, Hussain |
| 2018 | A critical reflection on the conceptual and legal foundations of the duty to prevent torture | Renzulli, I |
Collection's Items (Sorted by Submit Date in Descending order): 1 to 50 of 154
