Collection's Items (Sorted by Submit Date in Descending order): 81 to 130 of 150
Issue Date | Title | Author(s) |
2015 | Imaginative truth: biographical narratives inspired by the lives of six lone older women with critical commentary | Filtness, Emma Laura |
2014 | Off the edge | Stoneham, Luke |
2015 | Actions towards freedom: Theoretical and practical perspectives on improvisation and composition | Hall, Andrew |
2015 | A return to 'the great variety of readers’: the history and future of reading Shakespeare | Williams, Robin P. |
2013 | Q1 and Q2 Hamlet Evidence old and new, a case for a revised Q2 | Jolly, Emma Margrethe |
2014 | Traumagical realism and the re-creation process: subversive commun(e)ication of the traumatic in theatre and performance | Macias-Gutierrez, Elizabeth |
2014 | In the name of the father: Manliness, control and social salvation in the works of George MacDonald | Neophytou, Jenny |
2013 | Novelists and women in WW1: Challenging traditional binarisms – A critical essay and half painted war: an original novel | Philo-Gill, Samantha Adele |
2011 | Material agency and performative dynamics in the practices of media art | Tränkle, Marion |
2014 | Body, time, and the others: African-American anthropology and the rewriting of ethnographic conventions in the ethnographies by Zora Neale Hurston and Katherine Dunham | Volpi, Serena Isolina |
2014 | Karnatic rhythmical structures as a source for new thinking in western music | Reina, Rafael |
2014 | Mnemophrenia: a science fiction film-essay on the future of cinema and artificial memories | Konstantinidou, Eirini |
2007 | The invisible artist: Arrangers in popular music (1950-2000): Their contribution and techniques | Niles, Richard |
2012 | Noise poetics: A flow of cuts | Jones, Nathan |
2012 | New sounds and extended composition techniques | Ohara, Yuko |
2013 | Pure Mafia - a novel about child labour, plus thesis and commentary | Ahmad, Rohail |
2012 | Sight, sound, the chicken and the egg: Audio-visual co-dependency in music | Katan, Simon |
2013 | Form and freedom: the marriage of musical systems and intuition | Gotham, Nicholas |
2012 | Looking at sound / listening to image | Kolsoe Ágústsdóttir, Hallveig Guony |
2013 | Angolan body painting performances: Articulations of diasporic dislocation, postcolonialism and interculturalism in Britain | Cuxima-Zwa, Chikukuango Antonio |
2013 | Combining musical identities through composition and improvisation | Perks, Richard |
2013 | A holistic view of the creative potential of performance practice in contemporary music | Lüneburg, Barbara |
2012 | The suspension of disbelief in videogames | Brown, Douglas; William |
2013 | The role of imagination in Bergman, Klein and Sartre | Williams, Daniel |
2012 | ‘Dark Amelia’ a novel re-imagining historical characters within a fictional
story; and a critical thesis: ‘Inventing Shakespeare’: Is this relevant to 21st century writers? A short history of made-up Shakespeares and an examination of the challenge of re-inventing iconic historical characters.’ | O’Reilly, Sally Anne |
2002 | Aspects of style and design in the Missa L'homme Armé tradition c. 1450-c. 1500 | Walters, Keith John |
2012 | Acting theory as poetic of drama: A study of the emergence of the concept of 'motivated action' in playwriting theory | Ferreira de Mendonça, Guilherme Abel |
2013 | Bodies and labour: industrialisation, dance and performance | McColl, Jennifer |
2011 | Hypermasculinity and the hero in comic book fiction: This Is It | Connell, Daniel |
2009 | Metafiction, historiography, and mythopoeia in the novels of John Fowles | Buchberger, Michelle |
2006 | The besieged ego | Ruddell, Caroline |
2011 | Methods and ideas for the creation of 'transparent' music in the classroom | Lawrence, Tom |
2011 | The instrument in space: The embodiment of music in the machine age | Wilkins, Caroline |
2011 | "Disney is the Tiffany’s and I am the Woolworth's of the business": A critical re-analysis of the business philosophies, production values and studio practices of animator-producer Paul Houlton Terry | Hamonic, Wynn |
2011 | Discovering, creating and experiencing notions of theatricality in musical performance | Emfietzis, Grigorios |
2011 | Immersion and interaction: Creating virtual 3d worlds for stage performances | Polydorou, Doros |
2011 | Space and place as expressive categories in videogames | Martin, Paul |
2012 | Open, mobile and indeterminate forms | De Bièvre, Guy |
2011 | Performing the comic side of bodily abjection: A study of twenty-first century female stand-up comedy in a multi-cultural and multi-racial Britain | Blunden, Pamela |
2011 | A practice-based investigation into the process of film reception in the context of the modern era | Suazo Zepeda, Jose Emilio |
2011 | Ciné Parkour: A cinematic and theoretical contribution to the understanding of the practice of parkour | Angel, Julie Margaret |
2010 | CuDAS: An interactive curriculum combining pedagogic composition with interactive software for the teaching of music technology | Leaman, Oliver |
2011 | Applied live art: Co-authorship in socially engaged and site-responsive performance practice | Sánchez-Camus, Roberto |
2011 | A state of transcendence in dance: An autoethnographic analysis | Go, Hyeon Jeong |
2004 | Endangered bodies: Woman and nature in the contemporary British novel by women writers | Ford, Anna Jane |
2010 | The creative symbiosis of composer and performer (An examination of collaborative practice in partially improvised works) | Melvin, Andrew |
2010 | Interacting with the piano | Nicolls, Sarah Louise |
2010 | Visual poetics: The art of perception in the poetry of Elizabeth Bishop and Sylvia Plath | Nader, Myrna |
2006 | Spectrums of investment in Doctor Who fandom | Duckworth, Steven J |
2001 | Documenting the making process | Freeman, John |
Collection's Items (Sorted by Submit Date in Descending order): 81 to 130 of 150