Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/29520
Title: One-HIIT Wonder: Can Music Make High-Intensity Interval Training More Pleasant?
Authors: Karageorghis, CI
Guérin, SMR
Fessler, L
Howard, LW
Pinto, C
Ojuri, O
Kuan, J
Samwell-Nash, KG
Keywords: affective arousal;affective valence;dissociation;dual-mode theory;entrainment;exercise hedonics
Issue Date: 6-Aug-2024
Publisher: Elsevier
Citation: Karageorghis, C.I. et al. (2024) 'One-HIIT Wonder: Can Music Make High-Intensity Interval Training More Pleasant?', Psychology of Sport and Exercise, 0 (in press, pre-proof), 102717, pp. 1 - 38. doi: 10.1016/j.psychsport.2024.102717.
Abstract: The use of music as an aid to recovery during and after exercise is an area of growing scientific interest. We investigated the effects of in-task, asynchronous music and respite–active music (i.e., music used for active recovery in between high-intensity exercise bouts) on a range of psychological, psychophysical and psychophysiological outcomes. Participants (N = 28; 14 females) made five laboratory visits for: (a) pre-test/familiarisation; (b) fast-tempo music during supramaximal exercise bouts and medium-tempo during active-recovery periods; (c) fast-tempo during exercise and no music during recovery; (d) no music during exercise and medium-tempo during recovery; and (e) a no-music (throughout) control. A cycle ergometer-based HIIT protocol comprising 6 × 60-s bouts at 100% Wmax with 75-s active recovery was administered. Measures were taken at the end of supramaximal bouts and active recovery periods (RPE, state attention, core affect, state motivation), then upon cessation of the protocol (remembered pleasure and exercise enjoyment). Heart rate and heart rate variability (HRV) measures were taken throughout. The music manipulations only had an effect on state motivation, which was higher (p = .036) in the fast tempo–medium tempo condition compared to no-music control (Cohen’s d = 0.49), and the SDNN component of HRV, which was lower (p = .007) in the fast tempo–no music condition compared to control (Cohen’s d = 0.32). Collectively, the present findings do not support any of the study hypotheses regarding the music-related manipulations, and do not concur with the findings of related studies (e.g., Karageorghis et al., 2021). The unexpected results are discussed with reference to extant theory, and recommendations are offered in regard to music-related applications.
Description: Data availability: I have shared a Zenodo link from which the data can be downloaded.
The study data are shared openly as part of the publication of the article (https://doi.org/10.5281/zenodo.10000570). Correspondence concerning this article should be addressed to Costas I. Karageorghis, Department of Life Sciences, Brunel University London, UB8 3PH, United Kingdom (costas.karageorghis@brunel.ac.uk).
Supplementary data are available online at: https://www.sciencedirect.com/science/article/pii/S1469029224001286#appsec1 .
URI: https://bura.brunel.ac.uk/handle/2438/29520
DOI: https://doi.org/10.1016/j.psychsport.2024.102717
ISSN: 1469-0292
Other Identifiers: ORCiD: Costas I. Karageorghis https://orcid.org/0000-0002-9368-0759
ORCiD: Ségolène M.R. Guérin https://orcid.org/0000-0003-0990-9408
ORCiD: Layan Fessler https://orcid.org/0000-0002-8435-5110
ORCiD: Luke W. Howard https://orcid.org/0000-0002-4613-0404
ORCiD: Calum Pinto https://orcid.org/0009-0006-5207-2737
ORCiD: Oluwatobiloba Ojuri https://orcid.org/0009-0003-6576-7755
ORCiD: Joy Kuan https://orcid.org/0009-0003-7016-8159
ORCiD: Kristian G. Samwell-Nash https://orcid.org/0009-0002-9632-9646
102717
Appears in Collections:Dept of Life Sciences Research Papers

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