Collection's Items (Sorted by Submit Date in Descending order): 301 to 350 of 486
| Issue Date | Title | Author(s) |
| 2017 | Warp and Weft | Riley, CJ |
| 20-Dec-2018 | ‘Needs to Be Done’: the representation of torture in video games and in Metal Gear Solid V | Girina, I |
| 2018 | Every Little Thing He Does: Entrepreneurship and Appropriation in the Magic Mike Series | Chow, BDV |
| 2017 | Roads Shining Like River Up Hill After Rain | Riley, CJ; Macfarlane, R |
| 2018 | Robert Paston's Whirlpool of Misadventures | Maples, HA |
| 2014 | Solidarity and/in Performance: Rethinking Definitions & Exploring Potentialities | - |
| 2018 | Approaching Animation Studies | Ruddell, CD; Husbands, L |
| 2018 | WHICH IMAGE? OF WHICH COUNTRY? UNDER WHICH SPOTLIGHT? POWER, VISIBILITY, AND THE IMAGE OF BRAZIL | Jiménez-Martínez, C |
| 2015 | Dancing to a Tune: The Drone as Political and Historical Assemblage | Bloomberg |
| 2018 | Hybridised Performance: Disruption and Deferment in Wagner’s Tristan and Isolde | Broadhurst, S |
| - | The Life, Death and Rebirth of Experimental Electronic Music | - |
| 24-Sep-2018 | The Unconscious | Nobus, DM |
| 2016 | The Time of Indifference: Mandelstam's Age, Badiou's Event, and Agamben's Contemporary | Watkin, W |
| 2018 | Remember the Ship: Narrating the Empire Windrush | Lowe, H |
| 2017 | Psychoanalysis as Poetry in Lacan's Clinical Paradigm | - |
| 2017 | Tabularity: Poetic Structure in Shelley, Agamben, Badiou, and Husserl | Watkin, W |
| 2017 | The PSi Manifesto Lexicon - An online discursive platform | Paramana, K; Georgelou, K; Hildebrandt, A |
| 11-Sep-2017 | Seeds Of The Future/Somali Programme: a shared autoethnography on using creative arts therapies to work with Somali voices in Female Genital Mutilation refusal in the UK | Penny, S; Kingwill, P |
| 2016 | Prototype Design and Feasibility Analysis for Self-Levitated Conveying | Atherton, M; Mares, C; Wei, B; Chang, X; Ning, K |
| 2015 | Authorship, Physical Theatre and Justitia | Mitra, R |
| 2017 | Beyond Fixity: Akram Khan on the Politics of Dancing Heritages | Mitra, R |
| 2017 | A thousand ways to kiss the earth: Artistic freedom, Cultural heritage and islamic extremism | - |
| 2012 | Chinua Achebe's Biafran Story | Morrison, J |
| 2014 | On resistance through ruptures and the rupture of resistances: in Tino Sehgal's These associations | Paramana, K |
| 2015 | Re-Turning to the Show: Repetition and the construction of spaces of decision, affect and creative possibility | Paramana, K |
| 2017 | The contemporary dance economy: Problems and potentials in the contemporary neoliberal moment | Paramana, K |
| 2016 | Really actually windy: On environments, technologies, and dividual performances | Birringer, J |
| 2016 | Collaborative teaching/teaching collaboration: Reflections on a method | - |
| 2012 | Kinectic Waves at Art Zoyd Studios | Faia Harrison, C; Ratsimandresy, N |
| 2016 | ‘mere prattle without practice’: Authorship in Performance | Betteridge, T; Thompson, G |
| 15-Feb-2017 | Canonisation, colonisation, and the rise of neo-victorianism | Cox, J |
| 2016 | Towards a well-being focussed language pedagogy: enabling arts-based, multilingual learning spaces for young people with refugee backgrounds | Frimberger, K |
| 2016 | EVERYTHING IS IMPORTANT | Walshe, J |
| 2009 | Towards a pedagogy of strangeness: exploring the potential of strangeness for foreign language education | Frimberger, K |
| 2016 | A Brechtian theatre pedagogy for intercultural education research | Frimberger, K |
| 2016 | Christopher Priest and the Persistence of the New Wave | Hubble, N |
| 2016 | 'Struggling with the word strange my hands have been burned many times': | Frimberger, K |
| 2017 | If I didn’t know you what would you want me to see?’: Poetic mappings in neo-materialist research with young asylum seekers and refugees | Frimberger, K; White, Ross, RW; Ma, Lyn, LM |
| 2016 | "Some people are born strange": A Brechtian theater pedagogy as philosophical ethnography | Frimberger, K |
| 2016 | Performance in the cabinet of curiosities: Or, the boy who lived in the tree | Birringer, J |
| 2016 | Editorial: Same old? | Fox, C |
| 2018 | Derrida and the Problem of History 1964-1965 | Gaston, S |
| 2016 | Toward a theory of experimental world epic: David Mitchell's Cloud Atlas | Knepper, W |
| 2016 | Towards a radical world literature: Experimental writing in a globalizing world | Knepper, W; Deckard, S |
| 20-Oct-2016 | Decolonising immersion: Translation, spectatorship, rasa theory and contemporary British dance | Mitra, R |
| 2016 | George Eliot and the Anglican Reader | Gaston, S |
| 2016 | Essai (French: ‘test’, ‘attempt’, ‘trial’, ‘tryout’): Democratizing singing: Teaching musical theatre to a mixed-ability higher education student cohort | Peterson, GT; Chow, B |
| 2014 | Queering Translation | Spurlin, WJ |
| 2016 | The People Show | Peterson, GT |
| 2014 | A Revolutionary Proposal: Alexander trocchi, dramaturgies of disruption andsituationist genealogies | Peterson, GT |
Collection's Items (Sorted by Submit Date in Descending order): 301 to 350 of 486
