Collection's Items (Sorted by Submit Date in Descending order): 301 to 350 of 498
| Issue Date | Title | Author(s) |
| 2017 | Ensounded | Birringer, J |
| 2018 | Made 2 Resonate (M2R) | Riley, C; Faia, C; Riley, CJ |
| 2017 | ‘Everything not saved will be lost’: Videogames, Violence, and Memory in Contemporary Irish Fiction | Lynch, C |
| 2017 | Entre Chien et Loup | Birringer, J |
| 2016 | Kimospheres, or Shamans in the Blind Country | Birringer, J |
| 2014 | “Bring and Do Nothing”: Abramović’s 512 Hours (2014) in the context of Rhythm 0 (1974)" | Richards, ME |
| 2018 | Alucinacão transensorial /Trans-sensory Hallucination | Birringer, J |
| 30-Oct-2017 | On Intellectuals | O'Neill, D; Wayne, M |
| 3-Mar-2016 | The Grammar of Politics and Performance by Shirin M. Rai and Janelle Reinelt | Peterson, GT |
| 2014 | Žižek and Performance | Chow, BDV; Mangold, A |
| 3-Aug-2018 | Queer Theory and Biomedical Practice: The Biomedicalization of Sexuality/The Cultural Politics of Biomedicine | Spurlin, WJ |
| 2017 | Erehwon: A Digital Platform for Empowering Sociopolitical Interventions in Public Space‘ | Dima, M; Cantinho, B |
| 2017 | Warp and Weft | Riley, CJ |
| 20-Dec-2018 | ‘Needs to Be Done’: the representation of torture in video games and in Metal Gear Solid V | Girina, I |
| 2018 | Every Little Thing He Does: Entrepreneurship and Appropriation in the Magic Mike Series | Chow, BDV |
| 2017 | Roads Shining Like River Up Hill After Rain | Riley, CJ; Macfarlane, R |
| 2018 | Robert Paston's Whirlpool of Misadventures | Maples, HA |
| 2014 | Solidarity and/in Performance: Rethinking Definitions & Exploring Potentialities | - |
| 2018 | Approaching Animation Studies | Ruddell, CD; Husbands, L |
| 2018 | WHICH IMAGE? OF WHICH COUNTRY? UNDER WHICH SPOTLIGHT? POWER, VISIBILITY, AND THE IMAGE OF BRAZIL | Jiménez-Martínez, C |
| 2015 | Dancing to a Tune: The Drone as Political and Historical Assemblage | Bloomberg |
| 2018 | Hybridised Performance: Disruption and Deferment in Wagner’s Tristan and Isolde | Broadhurst, S |
| - | The Life, Death and Rebirth of Experimental Electronic Music | - |
| 24-Sep-2018 | The Unconscious | Nobus, DM |
| 2016 | The Time of Indifference: Mandelstam's Age, Badiou's Event, and Agamben's Contemporary | Watkin, W |
| 2018 | Remember the Ship: Narrating the Empire Windrush | Lowe, H |
| 2017 | Psychoanalysis as Poetry in Lacan's Clinical Paradigm | - |
| 2017 | Tabularity: Poetic Structure in Shelley, Agamben, Badiou, and Husserl | Watkin, W |
| 2017 | The PSi Manifesto Lexicon - An online discursive platform | Paramana, K; Georgelou, K; Hildebrandt, A |
| 11-Sep-2017 | Seeds Of The Future/Somali Programme: a shared autoethnography on using creative arts therapies to work with Somali voices in Female Genital Mutilation refusal in the UK | Penny, S; Kingwill, P |
| 2016 | Prototype Design and Feasibility Analysis for Self-Levitated Conveying | Atherton, M; Mares, C; Wei, B; Chang, X; Ning, K |
| 2015 | Authorship, Physical Theatre and Justitia | Mitra, R |
| 2017 | Beyond Fixity: Akram Khan on the Politics of Dancing Heritages | Mitra, R |
| 2017 | A thousand ways to kiss the earth: Artistic freedom, Cultural heritage and islamic extremism | - |
| 2012 | Chinua Achebe's Biafran Story | Morrison, J |
| 2014 | On resistance through ruptures and the rupture of resistances: in Tino Sehgal's These associations | Paramana, K |
| 2015 | Re-Turning to the Show: Repetition and the construction of spaces of decision, affect and creative possibility | Paramana, K |
| 2017 | The contemporary dance economy: Problems and potentials in the contemporary neoliberal moment | Paramana, K |
| 2016 | Really actually windy: On environments, technologies, and dividual performances | Birringer, J |
| 2016 | Collaborative teaching/teaching collaboration: Reflections on a method | - |
| 2012 | Kinectic Waves at Art Zoyd Studios | Faia Harrison, C; Ratsimandresy, N |
| 2016 | ‘mere prattle without practice’: Authorship in Performance | Betteridge, T; Thompson, G |
| 15-Feb-2017 | Canonisation, colonisation, and the rise of neo-victorianism | Cox, J |
| 2016 | Towards a well-being focussed language pedagogy: enabling arts-based, multilingual learning spaces for young people with refugee backgrounds | Frimberger, K |
| 2016 | EVERYTHING IS IMPORTANT | Walshe, J |
| 2009 | Towards a pedagogy of strangeness: exploring the potential of strangeness for foreign language education | Frimberger, K |
| 2016 | A Brechtian theatre pedagogy for intercultural education research | Frimberger, K |
| 2016 | Christopher Priest and the Persistence of the New Wave | Hubble, N |
| 2016 | 'Struggling with the word strange my hands have been burned many times': | Frimberger, K |
| 2017 | If I didn’t know you what would you want me to see?’: Poetic mappings in neo-materialist research with young asylum seekers and refugees | Frimberger, K; White, Ross, RW; Ma, Lyn, LM |
Collection's Items (Sorted by Submit Date in Descending order): 301 to 350 of 498
