Please use this identifier to cite or link to this item: http://bura.brunel.ac.uk/handle/2438/7674
Full metadata record
DC FieldValueLanguage
dc.contributor.advisorFox, C-
dc.contributor.advisorBarrett, R-
dc.contributor.advisorCroft, J-
dc.contributor.authorOhara, Yuko-
dc.date.accessioned2013-10-17T08:31:55Z-
dc.date.available2013-10-17T08:31:55Z-
dc.date.issued2012-
dc.identifier.urihttp://bura.brunel.ac.uk/handle/2438/7674-
dc.descriptionThis thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University.en_US
dc.description.abstractThis commentary supports my PhD composition portfolio. The composition processes of each piece are related to my central research questions, which concern the creation of new sounds using overtone-based scales and extended instrumental techniques. I have developed four main conceptual composition themes and these are represented in the thirteen compositions in the portfolio. In this commentary I consider how each composition was developed around these conceptual themes.en_US
dc.description.sponsorshipNomura Foundation, Japan for a research grant, Brunel Graduate School for the Vice Chancellor’s Travel Prizes (2010 and 2012), and for the PRSF and Bliss Trust Composer Bursariesen_US
dc.language.isoenen_US
dc.publisherBrunel University School of Arts PhD Theses-
dc.relation.ispartofSchool of Arts-
dc.relation.urihttp://bura.brunel.ac.uk/bitstream/2438/7674/21/FulltextThesis.pdf-
dc.subjectCompositionen_US
dc.subjectContemporary musicen_US
dc.titleNew sounds and extended composition techniquesen_US
dc.typeThesisen_US
Appears in Collections:Music
Dept of Arts and Humanities Theses



Items in BURA are protected by copyright, with all rights reserved, unless otherwise indicated.